Along with the others, Rutejìmo ends up running for his life. He sees his friends and families for what might be the last time before he sets off on his own perilous journey. Before he goes, however, his brother has one last thing.
Rutejìmo has come up to a point in his life, where he has to choose between his own life or dying for the clan.
We've gotten to a lovely chapter where two series intersect blatantly and the reader can get a hint of where I'm going with Flight of the Scions.
Sometimes the simplest of phrases can be the most powerful. To stop a death, Rutejìmo makes a declaration that ruins my entire purpose of writing the series and becomes a hero.
This week, we have a lot of violence, destruction, and a really bad idea. I talk a little bit about the mechanics of magic and the Call.
Another chapter of Sand and Bone with the clan making a choice to accept the job or not. In addition, a brief discussion about nudity and sex along with one about struggling for money.
We are now into the second arc of Sand and Bone, where things start to speed up greatly and the bloodbath is going to commence. While I'm setting it up, I talk a little bit about pacing for the book and how I use the HERO System to manage my fantasy.
On the last day of Lexember, I give you a word for the joy of finishing a good book.
On the thirtieth day of Lexember, I give you a word for an unread book.
On the third to last day of Lexember, I give you a word for paper cut.
On the twenty-eighth day of Lexember, I give you a word for paper.
Safely back at the city, Rutejìmo spends a leisurely day exploring the city. At least until Dimóryo finds him again.
On the twenty-seventh day of Lexember, I give you a word for accounting or book of accounts.
On the 26th day of Lexember, I give you a word for a book or registry of taxes owed.
On the twenty-fifth day of Lexember, I give you a word for a registry or list of items.
On the twenty-fourth day of Lexember, I give you a word for The Book of Ash.
On the twenty-third day of Lexember, I give you a word for a children's book or written story.
On the twenty-second day of Lexember, I give you a word for a bound book.
On the twenty-first day of Lexember, I give you a word for written instructions.
Rutejìmo returns to Kosobyo City and finds himself in an unfamiliar civilization that only vaguely resembled his own. Also a little bit on hair.
On the twentieth day of Lexember, I give you a word for a formalized description of a battle or fight.
On the nineteenth day of Lexember, I give you a word for essays or other factual descriptions.
On the eighteenth day of Lexember, I give you a word for the western style of writing with vowels as accents on the consonants..
On the seventeenth day of Lexember, I give you a word for the northern and eastern style of writing with separate vowels on the same line as the consonants.
On the sixteenth day of Lexember, I give you a word for printed advertisement, such as a poster or in a newspaper.
On the fifteenth day of Lexember, I give you a word for advertisement.
On the fourteenth day of Lexember, I give you a word for the details of how words are written or typed.
A grandfather looking for revenge and a man who cannot stop him.
On the thirteenth day of Lexember, I give you a word for a newspaper or poster.
As we approach the end of the year, there is a consolidate list of the pieces I've published in 2016.
On the twelfth day of Lexember, I give you a word for the sound of a mechanical printing press operating.
On the eleventh day of Lexember, I give you a word for writing of prayers on sand using a finger.
On the tenth day of Lexember, I give you a word for the art of writing on temporary places such as sand or water.
On the ninth day of Lexember, I give you a word writing a marriage proposal.
On the eighth day of Lexember, I give you a word for legal contracts and word puzzles.
On the seventh day of Lexember, we have a word for writing using buildings and architecture.
Chapter eight is a quiet chapter that sets the tone for what will be Rutejìmo inner struggle for the book.
On the sixth day of Lexember, we have a word for writing with embroidery or sewing.
On the fifth day of Lexember, I have a word for writing tiny letters.
On the fourth day of Lexember, I have a word for the medium of writing.
On the third day of Lexember, I include a typesetting measurement.
On the second day of Lexember, I include a foot in my master plan.
On the first day of Lexember, I started by journey with the smallest finger.
I'm done to only a single weekly serial right now and we pick right up at chapter seven where Rutejìmo learns that all the pain he suffered in the last book comes with an interesting yet terrifying benefit.
I've posted the last chapters of Flight of the Scion for my subscribers. After this, I'm making a few changes to subscriptions.
We are only a single chapter from the climax of Flight of the Scions. I talk about it and how it connects to Sand and Bone.
I played Exalted for a long time and I knew it wouldn't be long before it showed up in my writing. This week, you can see hints of that.
In the two chapters this week, we have two forms of preparing going on: one for the final battle and the other for a journey about to start.
This week, I introduce the plot for Sand and Ash while Kanéko has the epic fight that I original intended to write.
I never realized how hard it is to reintroduce characters on the third book of a series. At the same time, I love writing about mature characters. On the other hand, I also have a chapter about a very immature young woman and her awareness of psychics.
This week, I start the serialization of Sand and Bone, the third and final book of Rutejìmo's story.
After just over seven months of weekly posting, Sand and Blood has now been released as a Creative Common novels.
These two chapters focus on social roles and positions between different characters and their relationships.
These two chapters focus on social roles and positions between different characters and their relationships.
Life is about failure, it is the only way to get ahead. This week's chapter is about iterative failures. Plus news about Sand and Bone.
This week, both series talk about doubt in different forms: violence and death for Rutejìmo and Kanéko has her questions about her father.
Both serials are at a turning point as we head into the conclusion for both. Also a bit about other books in the Rutejìmo series.
Sometimes, we have a few lessons that need to be taught before all the action starts again. This chapter has a few quite moments.
This week, I introduce the villain of our story, a giant telepathic toad that terrorizes Kanéko and her friends. And Rutejìmo shows that he has a backbone.
Both trios find out a bit of their enemies this week along with revealing secrets for everyone. Plus Sand and Ash is out.
A smattering of lessons, both about death and more cheerful things. We are getting to some of the more interesting parts of both novels.
This week, both Kanéko and Rutejìmo are dealing with the conquences of their action scenes in the previous chapter.
This week, both chapters have to deal with the same topic: fighting in the dark. This shows my love of the specific troupe but both stories go about it in very different ways.
Just another pair of discussions with both serials. I talk a little bit about magical healing and the addiction of power, not to mention conventions that I'm using with other languages and telepathy.
After a few weeks of taking a break, I'm back to my serials. This week, we have a bit of introspection and a naming of the Big Bad.
Not every story has a Big Bad, the evil villain that makes the hero's job miserable. Sometimes the demons are inside the character's head. The chapters this week demonstrate both.
Looking at Flight of the Scions, it's obvious that my main characters are actually rather intelligent.
One of the difficult parts of writing Flight of the Scions is getting Ruben's speech pattern right. Also a brief discussion of mechanical devices in Fedran.
Magical talents are one of the underlying aspects of Fedran, but how everyone gains their powers is wildly different.
I reworked chapter fifteen of Flight of the Scions, made another chapter of Sand and Blood available, opened up five chapters of Sand and Bone to subscribers, and talked about ending chapters.
I said I was going to take a little break, but I lied. Sand and Blood is starting to be serialized and I reworked Flight of the Scions 13.
Well, this is the end. Yeah, it's a week early, but I decided to post the final two chapters at once. It is a sad moment for me, mainly because there is a lot of me in this novel but I'm also glad that I got a chance to do this.
The climax of Sand and Ash but one that comes in a whispered confession to a man who can't speak.
When I originally wrote this and the next chapter for Sand and Ash, I was in the middle of dealing with a miscarriage. There is no question that this part of the story is influenced by my experiences.
As Sand and Ash comes into the final stretch, we are dealing with a non-typical fantasy ending. At the same time, we are also coming to where Flight of the Scions becomes two separate books.
Sand and Ash hits the epiphany that I originally never planed, Rutejìmo's purpose in life. In Flight of the Scions, Kanéko realizes that she may have made a mistake.
In Sand and Ash, I realized that I'm already foreshadowing the third book of the series while Rutejìmo finds unexpected allies while he was dead. In Flight of the Scions, Kanéko meets one of the few healers I plan on ever writing for this world.
While Rutejìmo is struggling with guilt as he plans on leaving Mapábyo, Kanéko is being attacked for being nothing more than curious and black.
A dark chapter for poor Rutejìmo who is dealing poorly with being home but ignored. For Kanéko, a bright chapter as she approaches the Boar Hunt Inn. And a bit of discussion about miscarriage and depression.
Happiness is a hard thing to find, more so for characters in my world. Rutejìmo finds stability while being dead, alternating between working hard hours and spending time with his love. Kanéko, on the other hand, is humiliated in front of everyone including the boy she is falling for.
This week Rutejìmo gets a hint of what he is becoming and Kanéko finds herself falling for a boy.
This week Mapábyo gets Rutejìmo to talk about his love for another woman and Kanéko makes a humiliating mistake while trying to prevent a larger one.
And one of my favorite characters, the absolutely adorable Maris, is finally introduced to the readers.
Two big moments for both Sand and Ash as well as Flight of the Scions. Rutejìmo finally declares his love and Kanéko dreams of proving herself to her father.
In the fourth chapter of Flight of the Scions, we introduce one of my favorite, screwed-up characters.
This week we have two very different stories going on, both of my characters are setting out on their paths.
This week is Sand and Ash 20 and the second chapter of Flight of the Scions both talk about obsession and hope.
After working on a project for a long time, sometimes it is anti-climatic when it finally gets used.
This week is Sand and Ash 19 and the first chapter of Flight of the Scions, including some reasons of where Flight came from and where I'm going with all of this.
Chapter eighteen is a short one, but there were some interesting things happening outside of the novel worth talking about including starting to release Flight of the Scions as a Patreon-only reward.
The seventeenth chapter is the point where Rutejìmo realizes the biggest mistake he had made: failing to understand how much Mapábyo loves him.
Banyosiōu, someone who lost their clan. I never planned on having a word for this when I started this novel, but it became a gateway into something far deeper than I could ever imagine.
I rarely think about what I'm writing. Call it intuitive or just being a pantser. I wasn't thinking when I wrote this chapter, but it ended up being the first time I've used a phrase that would be the hallmark of the rest of the series.
Abandoned by everyone he knew, Rutejìmo retreated to a bar to lick his wounds and drown himself in a mug of alcohol. But sooner or later, the money would run out and then where would he be?
Chapter thirteen could best be described as 'tough love,' both in what the main character went through but also why.
Chapter twelve will be an uncomfortable one for some readers, but one that I think is critical for the story and plot. It is violent and sad, but one that sets Rutejìmo on a path that he needs to travel.
In the desert, warriors dedicate their entire lives to protecting their clan. With their powers comes many disadvantages, including sterility.
The tenth chapter of Sand and Ash surprised me when I wrote it, mainly because one character was entirely unexpected.
The ninth chapter of Sand and Ash is all about making decisions, some good and some poor.
The eighth chapter of Sand and Ash introduces the first new clan for the book. And one of the many warriors in Rutejìmo's life.
The seventh chapter of Sand and Ash is when most of the readers realized that Rutejìmo is an idiot or at least blind. And that's a good thing.
The sixth chapter of Sand and Ash gives a chance to give some of the women in Rutejìmo's life a bit more screen time.
The fifth chapter of Sand and Ash introduces some ideas behind the desert culture. They don't tell someone they are doing something wrong, they guide them to the conclusion that needs to be made.
The fourth chapter of Sand and Ash is now available. Also some discussions of being an outsider.
While writing a highly ritualized culture that is centered around families, how to name and address them can be one of the most complicated steps.
The third chapter of Sand and Ash is now available. Also some discussions of warrior's sterility, Rutejìmo's pacifism, and Chimípu being the Chosen One.
Years ago, I almost made my first novel Creative Commons licensed but I didn't have the courage. This time, I'm going to do it.
While creating the fictionary for Sand and Blood, we found a typo in the book. I decided to use that opportunity to switch distributors, add italics, and fix that one little bug.
Over the last week, I've been creating a fictionary for Sand and Blood. Here are my experiences of the process.
I spent the last few weeks getting things off my to do list so I could focus on Author Intrusion, but it looks like I need another week or so before that happens.
It was a productive week, mainly knocking things off my to do list, working on Journals, and being slightly stressed out.
Partially in response to a Reddit challenge and also for detail work for Journals of Fedran, I needed to come up with the Tarsan Standard Calendar. This is how the calendar came to be.
After two months of working, Journals of Fedran is finally at a stopping point.
One of the hardest parts is coming up with a visual style for something. But, using the inspiration for Journals, I have come up with the covers for the issues and the individual stories.
After a weekend of working on things, I've pretty happy with my progress on the Journals project.
As I'm writing these difference pieces for Journals, I realize that I'm going to be hearing a phrase a lot: I'm not your target audience.
For the last month or so, I had an idea of how to expand on my fantasy world, Fedran, by showing the wide variety of stories that exist in my head.
I find my reasons for doing things to be fascinating. And when someone asks why, I usually try to answer it. One of the more recent one was my decision to set Sand and Blood in the desert.
A status update on the Rutejìmo series, including a little bit of humiliation.
For my birthday, my wife gave me a weekend alone. Originally, I planned on coding until the wee hours of the morning but then I decided to work on my novel instead.
Continuing my series of making a conscript, this describes the steps of going from a cleaned up vector version of the script to a basic font.
Once I got a clean raster version of the glyphs, I use Inkscape to create a vector format which is suitable for importing into FontForge. Part 3 of creating a Miwāfu font.
After drawing out the Miwāfu glyphs by hand, I had to scan them in and get them ready for us.
Since I picked up a few new calligraphy pens for my birthday, I tried to write out Miwāfu and found that it was a bit more difficult than I thought. So I redrew them until they weren't difficult.
My philosophy for Fedran stories comes from a single conversation with a friend right before Star Wars I, The Phantom Menace, came out.
As part of the final steps for Sand and Blood, I've created a number of pages for the quotes that start every chapter.