For the first and twenty day of National Poetry Month, I wrote a poem about attuning oneself to rock.
My high-level breakdown of 2018 incomes and expenses for writing.
I've summarized both income and expenses over 2017 when it comes to writing and publishing books.
This week's naughty chapter is about Lily coming home to find Hasan cooking dinner for him. Unexpected, she finds that she wants him even more and her resolve to avoid cheating with Mindil rises up until she is forced to take matters into her own fingers.
Apparently I wanted to talk about the process of world-building, in specific exploring the repercussions of changing hair color in my world to fit with the image I want instead of what I started with. It lets me move to a world that I want now without breaking the world I've already published. Oh, and Lily goes on a walk.
After thirty-five weeks, I've finished serializing Sand and Bone. The novel has been completely edited and posted. It is released as Creative Commons BY-NC-SA. On the website, you can download the EPUB, MOBI, and PDF versions of the book. Or you can just read the chapters right on the website.
I've thought a lot about my master plot, the different threads and stories that weave together into where I'm going. Even thought Sand and Bone is a single point-of-view novel, it is part of a master plot that I hope to see some day. I'm just doing it novel-by-novel instead o scene-by-scene. However, there is a drawback of thinking about stories too much and I'm afraid of burning out the idea before it can be pried out of my skull.
There are moments in life when everything wears you down and you don't think you can move forward. This week, Rutejìmo is experiencing one of those moments as he focuses on burning a body before continuing his journey. I also talk about how the same death march has affected me in my life. Finally, a status update on the Sand and Bone publication process.
One of the common themes in the entire series is that Rutejìmo terrified of the dark. But what happens when unknown assassins are looking for him and he is left with the sorrow of losing his brother?
Along with the others, Rutejìmo ends up running for his life. He sees his friends and families for what might be the last time before he sets off on his own perilous journey. Before he goes, however, his brother has one last thing.
Sometimes the simplest of phrases can be the most powerful. To stop a death, Rutejìmo makes a declaration that ruins my entire purpose of writing the series and becomes a hero.
This week, we have a lot of violence, destruction, and a really bad idea. I talk a little bit about the mechanics of magic and the Call.
We are now into the second arc of Sand and Bone, where things start to speed up greatly and the bloodbath is going to commence. While I'm setting it up, I talk a little bit about pacing for the book and how I use the HERO System to manage my fantasy.
On the twenty-fourth day of Lexember, I give you a word for The Book of Ash.
A grandfather looking for revenge and a man who cannot stop him.
As we approach the end of the year, there is a consolidate list of the pieces I've published in 2016.
Chapter eight is a quiet chapter that sets the tone for what will be Rutejìmo inner struggle for the book.
This week, I start the serialization of Sand and Bone, the third and final book of Rutejìmo's story.
This week, both series talk about doubt in different forms: violence and death for Rutejìmo and Kanéko has her questions about her father.
Both serials are at a turning point as we head into the conclusion for both. Also a bit about other books in the Rutejìmo series.
Sometimes, we have a few lessons that need to be taught before all the action starts again. This chapter has a few quite moments.
Both trios find out a bit of their enemies this week along with revealing secrets for everyone. Plus Sand and Ash is out.
A smattering of lessons, both about death and more cheerful things. We are getting to some of the more interesting parts of both novels.
This week, both Kanéko and Rutejìmo are dealing with the conquences of their action scenes in the previous chapter.
This week, both chapters have to deal with the same topic: fighting in the dark. This shows my love of the specific troupe but both stories go about it in very different ways.
Just another pair of discussions with both serials. I talk a little bit about magical healing and the addiction of power, not to mention conventions that I'm using with other languages and telepathy.
I've been thinking about Jim C. Hines' post about trigger warnings for a few months now. In the process of re-releasing two books, I decided to do something about it.
After a few weeks of taking a break, I'm back to my serials. This week, we have a bit of introspection and a naming of the Big Bad.
Magical talents are one of the underlying aspects of Fedran, but how everyone gains their powers is wildly different.
I said I was going to take a little break, but I lied. Sand and Blood is starting to be serialized and I reworked Flight of the Scions 13.
Well, this is the end. Yeah, it's a week early, but I decided to post the final two chapters at once. It is a sad moment for me, mainly because there is a lot of me in this novel but I'm also glad that I got a chance to do this.
The climax of Sand and Ash but one that comes in a whispered confession to a man who can't speak.
When I originally wrote this and the next chapter for Sand and Ash, I was in the middle of dealing with a miscarriage. There is no question that this part of the story is influenced by my experiences.
As Sand and Ash comes into the final stretch, we are dealing with a non-typical fantasy ending. At the same time, we are also coming to where Flight of the Scions becomes two separate books.
Sand and Ash hits the epiphany that I originally never planed, Rutejìmo's purpose in life. In Flight of the Scions, Kanéko realizes that she may have made a mistake.
In Sand and Ash, I realized that I'm already foreshadowing the third book of the series while Rutejìmo finds unexpected allies while he was dead. In Flight of the Scions, Kanéko meets one of the few healers I plan on ever writing for this world.
While Rutejìmo is struggling with guilt as he plans on leaving Mapábyo, Kanéko is being attacked for being nothing more than curious and black.
A dark chapter for poor Rutejìmo who is dealing poorly with being home but ignored. For Kanéko, a bright chapter as she approaches the Boar Hunt Inn. And a bit of discussion about miscarriage and depression.
Happiness is a hard thing to find, more so for characters in my world. Rutejìmo finds stability while being dead, alternating between working hard hours and spending time with his love. Kanéko, on the other hand, is humiliated in front of everyone including the boy she is falling for.
This week Rutejìmo gets a hint of what he is becoming and Kanéko finds herself falling for a boy.
This week Mapábyo gets Rutejìmo to talk about his love for another woman and Kanéko makes a humiliating mistake while trying to prevent a larger one.
And one of my favorite characters, the absolutely adorable Maris, is finally introduced to the readers.
Following up with last year's post on writing monies and inspired by Jim C. Hines' own posts, here is an update on the financial side of my career as a writer.
Two big moments for both Sand and Ash as well as Flight of the Scions. Rutejìmo finally declares his love and Kanéko dreams of proving herself to her father.
In the fourth chapter of Flight of the Scions, we introduce one of my favorite, screwed-up characters.
This week we have two very different stories going on, both of my characters are setting out on their paths.
This week is Sand and Ash 20 and the second chapter of Flight of the Scions both talk about obsession and hope.
This week is Sand and Ash 19 and the first chapter of Flight of the Scions, including some reasons of where Flight came from and where I'm going with all of this.
Chapter eighteen is a short one, but there were some interesting things happening outside of the novel worth talking about including starting to release Flight of the Scions as a Patreon-only reward.
The seventeenth chapter is the point where Rutejìmo realizes the biggest mistake he had made: failing to understand how much Mapábyo loves him.
Banyosiōu, someone who lost their clan. I never planned on having a word for this when I started this novel, but it became a gateway into something far deeper than I could ever imagine.
I rarely think about what I'm writing. Call it intuitive or just being a pantser. I wasn't thinking when I wrote this chapter, but it ended up being the first time I've used a phrase that would be the hallmark of the rest of the series.
Abandoned by everyone he knew, Rutejìmo retreated to a bar to lick his wounds and drown himself in a mug of alcohol. But sooner or later, the money would run out and then where would he be?
Chapter thirteen could best be described as 'tough love,' both in what the main character went through but also why.
Chapter twelve will be an uncomfortable one for some readers, but one that I think is critical for the story and plot. It is violent and sad, but one that sets Rutejìmo on a path that he needs to travel.
In the desert, warriors dedicate their entire lives to protecting their clan. With their powers comes many disadvantages, including sterility.
The tenth chapter of Sand and Ash surprised me when I wrote it, mainly because one character was entirely unexpected.
The ninth chapter of Sand and Ash is all about making decisions, some good and some poor.
The eighth chapter of Sand and Ash introduces the first new clan for the book. And one of the many warriors in Rutejìmo's life.
The seventh chapter of Sand and Ash is when most of the readers realized that Rutejìmo is an idiot or at least blind. And that's a good thing.
The sixth chapter of Sand and Ash gives a chance to give some of the women in Rutejìmo's life a bit more screen time.
The fifth chapter of Sand and Ash introduces some ideas behind the desert culture. They don't tell someone they are doing something wrong, they guide them to the conclusion that needs to be made.
The fourth chapter of Sand and Ash is now available. Also some discussions of being an outsider.
While writing a highly ritualized culture that is centered around families, how to name and address them can be one of the most complicated steps.
The third chapter of Sand and Ash is now available. Also some discussions of warrior's sterility, Rutejìmo's pacifism, and Chimípu being the Chosen One.
Years ago, I almost made my first novel Creative Commons licensed but I didn't have the courage. This time, I'm going to do it.
It's been a few weeks since I've written about writing. Since then, I've managed to finish the third draft for Sand and Bone, drafted Raging Alone, and had a friend create an album with my lyrics.
It's been a few weeks since I last posted. When I work on projects, I have a tendency to go silent because I could either post or I could work on it. But, here is what is going on.
I haven't really considered writing as anything more than a hobby until 2012, but I've been tracking my income and expenses since 2002. Here is a breakdown of my writing income.
I find my reasons for doing things to be fascinating. And when someone asks why, I usually try to answer it. One of the more recent one was my decision to set Sand and Blood in the desert.
After a small set of setbacks, it has become obvious that Sand and Ash won't be coming out by the end of the year.
A status update on the Rutejìmo series, including a little bit of humiliation.
Going to work on Author Intrusion a little while waiting on my writing projects. Maybe I can finally get the writing environment I'm looking for.